I believe we should all just come to accept that my addition of visual content is always going to be pretty subpar. Hooray, at least, for wikipedia and morguefile, or you'd have no pics at all. |
It
turns out that in one of my many false starts (and middles and ends) for Unsightly (AKA Eye of the Beholder AKA Sight
Unseen AKA Beheld AKA Oh-How-I-Hate-Titles), Isabel suddenly
developed a desire to play the harp—and absolutely no aptitude for it. Really
it became quite a large part of the book for a while until I suddenly found
myself thinking, “There is no point to this.” Okay, it wasn’t strictly true.
There was sort of a point. It was this whole way of showing that Isabel wasn’t
very good at sticking to things, gave up when the going got hard, blah blah
blah. But in the final analysis, it was just sort of flat.
However,
tragically, I had already written a number of scenes (oh my gosh! the endless
numbers of words that I cut from this story! I wrote at least 150K for my 72K
novel; argh!) involving the harp.
And
I liked at least one of them (originally I liked three, but time will kill
delusions of grandeur, and now, a year later, I only like one). So what’s a
girl to do with a scene about a harp that never made it to the finished
product? Post it on her blog, of course!
“What shall it be tonight, Isabel?” he asked
one evening as we were settling into the library. “A story? Or will you finally
play your harp for me?”
“I
have not been practicing as I ought,” I told him. “Perhaps next week. I’m sure
by then . . . ”
“Your
excuses will not work on me tonight. What better time to practice than now?
Come, I insist. You have put it off too long and I am nearly expiring from
curiosity.”
“I
suppose I cannot avoid it forever,” I told him. “But please recall that you
were warned.”
I
had long since moved my harp from the parlor and its cold formality to the
gentle comfort of the library. Now all I had to do was rise and move to the
opposite end of the room. As I rose, I attempted to sneak a glance into the
shadows. The Beast, as usual, was invisible, seeming to draw even farther into
the dark when I looked his way. I sighed. My recent increased efforts to see
his face had returned me nothing but frustration.
For
the umpteenth time I put it from my mind. Sometimes I felt that’s all I ever did—put
from my mind the things I cared about most. But that was my way. So ignoring
the mystery again, I sat at the harp and began to play.
I
liked the idea of being able to play a harp just as much as I used to. It was
such a graceful instrument. But I didn’t seem to have the coordination for
it—or the desire to practice. I did not look forward to the embarrassment I was
going to suffer tonight.
“Why
don’t we wait one more day?” I pleaded. “You sound very tired. I’m sure you
need to get to bed.”
“Oh
no,” he said with a chuckle. “You are not going to get out of it so easily.”
I
sighed my best long-suffering sigh and began to play. It was a beautiful
instrument, I had to admit. Graceful and sweet, sound pouring out of it like
the songs of birds.
If
those birds had no sense of tune and were suffering under torture.
A
few moments of almost-music passed and when I stopped and looked down, the
Beast applauded politely. I thought I could detect, even in his clap, a hint of
amusement.
I
began to play again, this time with a bit more gusto. “That, in case you are
wondering,” I told him as I played, “was the sound of a flight of angels taking
off toward heaven.” Discordant noises floated in the air. “You should by no
means mistake it for a herd of hippopotami trudging across shards of broken
glass.”
The
snort from across the room was loud. It really was a rather apt description. “Of
course I had not imagined it anything other than a flight of angels.” Then a
pause as I hit more incorrect notes. “And I believe that was the sound of the
angels crashing into a tableful of goblets.” He sighed gustily. “Ah, such
lovely music.”
“Yes,”
I agreed. “I do have a rare talent for it.”