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Sunday, May 31, 2020

Give Me Alice Springs


As of today, my family and I have been a year in Alice Springs, Australia. There are so many things I could say about this time so far. I could tell about the growth my kids have experienced, the walks through the bush behind our neighborhood, the different things I’ve noticed about life while living out of the US for my first time. So many things.

But in the end, what I did recently was write a poem, which is very much not my medium. I started it out as a kind of essay about my experience of the natural world here and how life here has forced me to change, but it didn’t feel right and it wasn’t working. So I condensed and altered, and this is what is left. It’s not complete. I actually kind of hate the idea of sharing it because it feels both too personal and not personal enough. Plus, it is poetry, which—I cannot stress this enough—is not my thing. But I’m trying to be brave. 

It doesn’t take into account a lot of the joys and wonder. It doesn’t tell you about the months when I thought, “I will never step out into cool weather and no flies again; I will never be cold again,” and then suddenly, within about a week, all the jumpers and long sleeves and jeans came out again and I remembered that there was cold in the world.

It doesn’t tell you about the hike we took one day that led us past a strange combination of objects—old tin cans, a whole lot of golf balls, little paddymelons, and a kangaroo carcass that had probably become food for dingoes or at least kites. How what might have been disgusting was merely fascinating—a part of the natural world, a part of real life. How we examined its bones and remains, appreciating a kangaroo’s incredible structure and adaptations for the life it leads.

This poem doesn’t explicitly mention that this experience is so very specific to my life, here, as a white woman transplanted into a world I have never lived in before. It doesn’t discuss what it would be like to actually live off this land, and it only skims the surface of some of the beauty here. It also only skims the surface of how I have changed in the last year—both so much and so little at the same time. And how there’s still so much to learn. So it feels so incomplete in some ways, but hopefully it captures at least a moment or a feeling or just a tiny bit of what life has been here for me.

And so, without further ado (because that was definitely plenty of ado already!):

“Give Me Alice Springs”

Some people love

the lush, bright greens,
the wet humidity,
of lands where rain is plentiful and gardens grow
a rainbow of color
even in neglect.

I have loved them too.

But for me, for now,
give me the granite, the gneiss,
the red rock rising in ridges and crags,
the dust and dirt,
the sand that stains every white
a perpetual pale rust.

Give me the greens of the desert,
a thousand shades of muted sage.
The restrained reds and softened yellows
in the grevillea, the bottlebrush, the wattle—
flowers that know
how to grow in drought.

Give me a land
stripped down.
Give me the sturdy strength that survives—
flourishes—
in the searing of a too-close sun.
Give me the sky as wide as eternity,
as sharp as certainty.

Let me search,
work,
dig deep to find
infinitesimal treasures
buried in the rubble
of broken rock and hard-packed earth.

And then,
after I’ve gathered piles of pebbles,
let me spend a day in the sun,
trickles of mud pouring down my arm
as I hold a sieve full of hope
to the sunlight,
seeking the tell-tale glint
of garnet red.

Here I have been forced to strip away
what would not grow.
Felt weak things wither painfully.
Felt myself held up to the
scorching sunlight,
searched desperately for value that came
not from trappings or titles or tasks
but from me—
the garnets of who I am among the dross
of what I thought I was meant to be.

Here,
when the rain comes,
it must come for days,
for weeks,
before the river flows.

When it flows, the land wakes.
We flow to the water as the water flows into the land,
we come to splash
and wade
and expand.

The night silence is broken
by the croaking of frogs,
singing their mating songs, celebrating new life,
then burrowing and laying their eggs
once again
as the river shrinks and disappears.

The eggs will hatch
when the next rain comes.

Someday I will return to a land
of brilliant greens,
a land where I must ever work to weed
what is not wanted,
not carefully cultivate
what I wish to keep.

But for now, I am content
to be refined in the heat of this sun,
to let my chaff blow away in the searing desert wind,
to soak and splash in the water that heals, that makes everything live where it goes.

For now, I am content in Alice Springs.



Mormon Lit Blitz Semifinalist


A month or two ago, I went into a rather unusual productivity spike for me. The deadline for submitting to the Mormon Lit Blitz was approaching, and I really wanted to submit. Most years, I struggle to come up with even one idea for this competition, even though I love it—and even if I do get an idea, I struggle (more than just the usual) with how to put it into words. This year, I had about six ideas, and I found myself actually pulling some of them together and getting them into words.

The results: One story that started out as a tale of midwives and took a slight turn, requiring a lot of editing and revision to bring it a place that (to be honest) I’m still not entirely happy with. One story that popped into my head, almost fully formed based on a prompt from an episode of Writing Excuses. One poem. You read that right—a poem.

Pieces for the Lit Blitz are always excruciatingly difficult for me to have beta readers for. As I mention in this previous post, I can’t even let my husband read them—and he beta reads everything for me and is an incredible help. But somehow it’s too weird.

To make a long story short: I submitted all three pieces (three are allowed), and two of them were selected as semifinalists (interestingly, the two that I thought were weaker, but sometimes you just don’t know what’s going to work). However, when the finalist list came out, both were dropped. This honestly doesn’t surprise me. I pretty much expected it; they’re just not as good as I would have liked them to be (though they are the best I could make them for now). So while it was a bit sad, like I said, not surprising.

And then came the next tricky bit. Would I share them now? The nature of the Lit Blitz is such that my writing for it really won’t fit in any other market. There’s no point in keeping them locked up because they’re never going to sell anywhere else. It’s Lit Blitz or Bust! But if I couldn’t share them with my husband, how could I do it here? Well, to make another long story short, I’m just gonna do it. I’m going to post one now (for reasons you’ll see when you read it), and then I’ll take a break because the actual finalists for the Mormon Lit Blitz are going up, and I want to just pay attention to them. Then I’ll post the others later, provided I still have the courage.

Regardless of my pieces, though, I hope that some of you will take the time to read the finalists when they come out. So many of the stories are wonderful every year, and though many speak specifically to an LDS audience, a lot of them also transcend that border and speak to human experience in general.